Geoff Sobelle’s Home defies categorization—it makes such excellent use of a variety of performance art genres and influences to make its point. Most interesting, and perhaps most relevant to this review site, is the evident magical influences. Many of the most obviously magical effects are used to add charming moments of humor, and even beyond these it makes original use of magic tropes. Any plot to Home is more of a suggestion or theme than a storyline, as its purpose does not seem to be to tell a traditional story, but to convey a feeling of Home-ness to the audience.
The motif of disappearing and reappearing dominates the first section of Home. This appears as a sort of larger scale of a magician’s sleight of hand. Instead of playing cards disappearing, reappearing, or suddenly changing identity, it is the human actors doing those things. This illustrates a central message of Home, that while a house might stand for generations, the people who would call it a home are in comparison constantly changing.
A second main segment of Home is instead monopolized by that classic component of magic shows, random audience member participation. The audience members who are brought up on stage are well taken care of. The nature of the performance allows the actors to give the participants instructions without distracting the rest of the audience from the show. By the end of this scene there are so many members of the audience up on stage, and the participation has extended so far into the seated masses, that it is as if Sobelle has welcomed the entire audience into his house party.
It is worth mentioning the primary set piece used in the production. Home is a multifaceted piece of performance art, and a key aspect of that is the house that the majority of the action is set within. It is an incredibly elegant and precise construction. The house set is so perfectly suited for the choreography of the performance, it is clearly a very well thought through design.
If the goal of Home is to convey a sense of Home-ness to the audience, it has succeeded in this impeccably. Its whimsical reflections on the nature of what makes a house a home are always captivating and, by the end, ultimately heartwarming.
Home can be found at King’s Theatre during the 2018 Edinburgh International Festival from August 25-26