“A magician is an actor playing the part of a magician.” So say Jean Robert- Houdin, the 19th century French conjurer considered the father of modern magic. And so be David Aula and Simon Evans. Their two, interconnected shows, The Vanishing Man and The Extinction Event, are billed as theatre but are filled to the brim with magic, and it’s impossible to tell what’s the most amazing part. It’s very, very hard to weave magic tricks into a compelling, coherent story, or at least is must be because it’s very, very rare to see it done well. This is one of those rare times. Both The Vanishing Man and The Extinction Event would be excellent examples of great theatre even without the magic, even on just the strength of their stories, but the physical element of illusions puts them onto a whole new level.
These shows, which are better reviewed together rather than apart, are also better viewed together rather than apart. Although they can technically both stand alone, the emotional impact of the second one, the Extinction Event, is much stronger for seeing the former. The pertinent background is shared at the beginning just in case you haven’t seen them both, but that information packs so much more of a punch when learned over the course of a show than in a quick sentence of catch up. In The Vanishing Man, a magician and his friend take us through the mysterious case of the fictional Edwardian magician Hugo Cedar, and his greatest and most terrible trick- vanishing without a trace (or much of a trace) off London Bridge. This long dead magician and his story have an immense effect on the two magicians, and like any magic show, not all is as it seems. In The Extinction Event, these same men dip into the impact of machines on our lives, the implications of them for magic, and the possibilities of hypnosis. All done with such astoundingly intelligent storytelling and incredible heart, it may actually make you cry.
Almost as notable as the stories themselves is the unique way Aula and Evans have of engaging their audience in interacting with the shows. The instructions are almost impossibly efficient and effective, and make every single member of the audience invested in the performance and leave no one feeling embarrassed or really singled out. Not counting the audience, these are two man shows, and Aula and Evans also excel in their chemistry with each other. Their pacing is flawless, their relationships relatable, and their performances a perfect match.
The Vanishing Man and The Extinction Event are the cleverest shows at the Edinburgh Fringe twice over, and are as beautiful and entertaining as they are smart. To put it in no uncertain terms, they are absolutely unmissable.