The Extinction Event

AN INTERVIEW WITH SIMON EVANS AND DAVID AULA

Edinburgh Fringe 2018 is over, but reviewer Hannah S. got to sit down with Simon Evans and David Aula, whose ‘The Vanishing Man’ and ‘The Extinction Event’ we’re absolutely obsessed with. Read on to find out about what it was like to create and perform these shows, and how they’re doing after spending a month doing two shows a day (they’re fine, they’re absolutely  fine, don’t bring it up, okay?) Warning: heavy spoilers ahead- if you haven’t seen these shows, figure out how to make that happen first.

Hannah: Important question first: you’ve done two shows a day for nearly an entire Fringe now- are you guys okay?

David: Mmmmmm yeah, okay, okay, okay, I’m absolutely fine, okay… (laughs)

Simon: Don’t ask us those sorts of questions.

D: So I also have…my son is with us, he’ll be eight weeks tomorrow, so he’ll have spent more time at the Fringe, proportionally, than anyone else, ever, in the history of mankind.

S: Of percentage of his life

D: of percentage of his life, yeah. So he’s been keeping me busy when I’m not on stage, so being onstage is like a little break.

S: It’s funny, we’ve been very lucky, we’ve been sold out quite a few times, and on the days when we haven’t it’s very noticeable, when the audience is a bit smaller and a bit quieter, those are tough shows to do. And you really feel it I think-

D: when you’re not riding the wave

S: yeah when you’re not riding the wave of them bouncing back at you, when we have our own momentum and it’s stopped by a quiet audience member who doesn’t want to play, that’s when we feel tired.

D: Yeah.

S: Whereas today, we sold out again, so I’m looking forward to -and when that happens, I think, we both come off, both, quite buzzy.

D: Yeah absolutely. And actually this morning I reflected, so we’ve had what, eleven days straight without a break, and only three more to go.

S: Yeah that’s right

D: And actually that’s fine, it’s fine, a final way to spend a bank holiday weekend.

S: So yeah we’re fine.

D: Yeah we’re fine, we’re fine. (laughs) Hope that answered your question.

So how has the response been? I know you’ve been performing The Vanishing Man for a while, but The Extinction Event is pretty new?

(more…)

THE VANISHING MAN & THE EXTINCTION EVENT

☆☆☆☆☆

“A magician is an actor playing the part of a magician.” So say Jean Robert- Houdin, the 19th century French conjurer considered the father of modern magic.  And so be David Aula and Simon Evans. Their two, interconnected shows, The Vanishing Man and The Extinction Event, are billed as theatre but are filled to the brim with magic, and it’s impossible to tell what’s the most amazing part. It’s very, very hard to weave magic tricks into a compelling, coherent story, or at least is must be because it’s very, very rare to see it done well. This is one of those rare times. Both The Vanishing Man and The Extinction Event would be excellent examples of great theatre even without the magic, even on just the strength of their stories, but the physical element of illusions puts them onto a whole new level.

These shows, which are better reviewed together rather than apart, are also better viewed together rather than apart. Although they can technically both stand alone, the emotional impact of the second one, the Extinction Event, is much stronger for seeing the former. The pertinent background is shared at the beginning just in case you haven’t seen them both, but that information packs so much more of a punch when learned over the course of a show than in a quick sentence of catch up. In The Vanishing Man, a magician and his friend take us through the mysterious case of the fictional Edwardian magician Hugo Cedar, and his greatest and most terrible trick- vanishing without a trace (or much of a trace) off London Bridge. This long dead magician and his story have an immense effect on the two magicians, and like any magic show, not all is as it seems. In The Extinction Event, these same men dip into the impact of machines on our lives, the implications of them for magic, and the possibilities of hypnosis. All done with such astoundingly intelligent storytelling and incredible heart, it may actually make you cry.

Almost as notable as the stories themselves is the unique way Aula and Evans have of engaging their audience in interacting with the shows. The instructions are almost impossibly efficient and effective, and make every single member of the audience invested in the performance and leave no one feeling embarrassed or really singled out.  Not counting the audience, these are two man shows, and Aula and Evans also excel in their chemistry with each other. Their pacing is flawless, their relationships relatable, and their performances a perfect match.

The Vanishing Man and The Extinction Event are the cleverest shows at the Edinburgh Fringe twice over, and are as beautiful and entertaining as they are smart. To put it in no uncertain terms, they are absolutely unmissable.

 

The Vanishing Man can be found at Pleasance Courtyard (Venue 33) during the 2018 Edinburgh Fringe at 14:10 from August 16-27

The Extinction Event can be found at the same place and dates at 15:40

More information on The Vanishing Man and The Extinction Event and their performance dates can be found here