Kevin McMahon



Disclaimer: The “real” review of MagicFest’s Christmas show can be found here. But, we had an extra reviewer in Edinburgh keen to see the show, and once upon a time a reviewer joked to our Editor-in-Chief, “hey what if we did drunk reviews for shows as second reviews” and, terrifyingly, our Editor-in-Chief took this joke seriously. Enjoy! 

I went to see the secret gift. A MagicFest production for the Christmas season. Kevin Quantum is the compare and has come on in leaps and bounds since I saw him hosting  MagicFest. Edinburgh is the stage back drop and there are lightbulbs hanging from the ceiling and the whole theatre is beautiful to start. Admittedly, as I am drunk reviewing my first thoughts are “Pretty… why am I here? Oh yes, Magic!”.

Kevin made champagne from thin air, then introduced “The Art of Illusion” a Scottish illusion team. Male and female. Steryotypical magic tricks, woman in box disappears; but I have never seen that done before and it is breathtaking. They are an attractive pair, strong and able, and perfectly suited to the stage. The magicians assistant did not shy from the spot light. The one area that could have used a different trick was between sets the male magician pulled a long cord from his mouth, from my perspective all I could think was “TAPEWORM”!” I think there needed to be a break but something different to a tapeworm could be used.The show focused around using sex to distract from what was going on. A clever trick in some respects.

The next act is the hilarious Professor Kelso. He has a Shakespearean excellence about him. His voice, his act, it is all hilarious before the magic starts. He says he is a hypnotist, no! a magician no! a mind reader! No!  Magician! It is a great beginning. He has the costume and the voice and the act. But then he moved to cheap fortune telling. That could have been different. He has so much going for him but I found the reading of the audience dull and unrewarding. Well done, after 20 questions you have the correct answer. He has a lot of talent to be on the stage but needs to move away from fortunes. You are not a grandmother Professor Kelso!

There was an act before the interval from caberet rather than magic but let me tell you! It is magical to me! My mind is blown. The Bubble Poet came on stage with his act, and though I know what is happening, it is amazing! He is a stage artiste! He can make magic happen before your eyes in coloured smoke and dish detergent. Phenomenal.

After the interval Kevin worked his magic with his introduction, then brought on stage a rather interesting Spaniard by name “David Blanco”. By this point I was somewhat intoxicated and found David to play on his race rather more than necessary. He was a slight of hand magician who also performed card tricks. Inticially I thought “typical, playing on suggestion, and playing on accents” but he is very amusing. And very good at what he does. He uses his “foreign-ness” to his advantage.

Professor Kelso is back on stage to perform the “12 days of Magic”. He is so good at the piano it is a shame to see him go to waste filling time like this. It was caberet but not especially special or interesting. The “12 days of Christmas” or whatever is done! Move on. Kelso is an excellent character who deserves lots of time in the sun performing interesting pieces for the mind, not for the child.

Kevin came back and performed a hilarious piece about mind wandering. Where is the ball? Here or here? Used sexual tension as a joke which seemed cheap but followed up with pure quality misdirection. He misdirected you here, so you didn’t notice the misdirection over there. Very well done. Huge amounts of showmanship, and I would like to learn a trick or two from you. Producing lemons! Amazing!

Finally “The Art of Illusion” came back on stage. A winner to begin but now at the end (after a few drinks) it’s clichéd and over done. The beautiful assistant being your distraction, really!? I’d like to see the same show performed with a man. It was well done, steryotypical tricks, which I think modern theatre is lacking. But what modern theatre is also lacking is equality. Wearing leather boots does not equal tiny Santa costume. You are good at being a magician. Don’t diminish it by being a sexist.

Overall a wonderful show. I saw MagicFest and this was a level beyond. Well done, well performed.




The stage at the Traverse Theatre sets the tone for the Magicfest Christmas Special “The Secret Gift” with a lovely silhouette of the Edinburgh skyline, featuring hanging lights appropriately reminiscent of the enchanted candles of Hogwarts.

The show is hosted by Kevin Quantum, who weaves Christmas cheer through the evening with his between-act entertainment.  His commitment to the Christmas theme in each of his appearances is admirable.  Quantum is at his charming best when interacting with his audience participants, and holds the attention of parent and child alike with his engaging misdirections.

The first act to take the stage is Chris de Rosa and his glamorous assistant in The Art of Illusion.  This act features many classic magical effects, with the two surviving a variety of seemingly fatal situations. This pair excels at coordinating their turns in the spotlight to support each other’s performances.  De Rosa and his partner return to the stage as the final act of the evening, with a more festively themed take on their signature style.  Their closing trick is a suitably playful end to the program.

Professor Kelso follows with a decidedly more comedic form of magic.  While his sleight of hand and mind reading clearly delight the audience, it is his fantastic character that keeps the audience laughing during his time on stage.  Kelso is the other performer who appears twice in the show.  His second performance is a break from the usual course of the show, featuring Kelso leading the audience in a sing-along of a Christmas carol that he has re-written to a magic theme.  This level of audience participation lends a pantomime atmosphere to this portion of the evening.

Another break in the usual course of magic comes from Señor Pérez, who is not a magician, but a bubble artist.  Neither properly magical nor especially Christmassy, Pérez’s bubble choreography is nevertheless enchanting.  His ephemeral creations prove truly captivating to watch.

The final magician, David Blanco, performs a series of card and coin tricks.  His decision to perform these tricks in a relatively large theatre may initially seem questionable, as both are more commonly performed for smaller audiences, but the dimensions of the theatre, and Blanco’s clever use of the largest coins available, means that his tricks are still relatively visible from the farther side of the audience.  The commendable scaling of close up magic for a larger audience in this act allows this show to demonstrate a wide range of magic styles.

The variety of acts in “The Secret Gift” makes for an exciting evening. The show seems especially popular with families with young children, and the performers successfully cater to the range of age groups in the audience.  The overarching festive cheer of this show successfully extends the magic of Christmas well beyond its usual temporal limits.



This year’s Edinburgh International Magic Festival celebrated the end of its week of events with the MagicFest Gala: Levitations.

The event was hosted by the charming Kevin Quantum, a magician with international experience from Fife, Scotland. Kevin Quantum performed several bits of magic himself between acts. In a heartwarming gesture of inclusivity, he made a point of inviting children from the back section of the theatre to be the participants in his magic. Kevin Quantum’s engaging presentation of the acts as well as his between-act performances integrated the range of acts into a cohesive showcase of magic.

Cubic Act opened the Gala with their mysterious floating box. Their graceful choreography and whimsical illusions were wonderful to watch. Alan Hudson followed with a comedic magical act. In contrast with the other acts, which were performed to music, Hudson chatted with the audience throughout his performance, and provided the comic relief of the first half of the show.

Next up were Les Chapeux Blancs with their delightfully stylized performance. On the stage lit only by a composition of small bright lights, the two magicians, dressed in white, climbed up the air, into the ground, and in and out of sight as if they could jump in and out of reality. The contrasts of the props and costumes with the dimly lit stage, combined with the precision of the magicians, gave this act an otherworldly atmosphere that is surely enviable to other magicians.

After the interval, Bertox took to the stage with his spinning rings. His distinctive take on juggling was captivating and calming in an almost hypnotic way. Aaron Crow then brought along his romance-themed magical stunt. Crow was impressive in the precision that he brought to his act and delightfully humorous in his silent mannerisms.

The final act, Marko Karvo, featured infinite scarves that produced infinite birds. Karvo was styled as a prototypical magician, dressed in a tailcoat and accompanied by a glamorous assistant. His act might have felt outdated if it weren’t so skillfully and elegantly done, but Karvo’s evident ability and flair made this an engaging performance. Unanticipated entertainment was provided by his largest and most brightly colored bird, which decided that it preferred to perch on the exit doorway at the back of the theatre rather than in the cage that Karvo had obligingly conjured for it.

The MagicFest Gala was a lovely celebration of both the Edinburgh magic scene and global live magic performance. The range of the performances was a wonderful demonstration of the diversity of modern magical acts, and Kevin Quantum’s enthusiasm radiated optimism about the state of magic as a field, making the closing gala a triumphant end to a week of magic in Edinburgh.