edinburgh magic fest

VINCENT GAMBINI – THE CHORE OF ENCHANTMENT

☆☆☆☆☆

Vincent Gambini’s meta-show about magic, The Chore of Enchantment, encapsulates the pessimism of 2016.  It is especially fantastic for those who still haven’t quite gotten over the ridiculous politics of that year.  Most of The Chore of Enchantment is less magic and more Gambini’s stand-up comedy style routine about his disillusionment with both magic and the real world, with bits and pieces of tricks used to enhance his monologue and illustrate his descent into melancholy.

Gambini creates a sense of unease from the start as he steps on to the stage in a sleep mask, and describes the room, the audience, and himself as figments of his dream.  While the big illusions that he describes do not manifest—no floating yoda or hole in the fabric of reality appear on the stage—the card tricks that do are still enjoyable, and create a bridge between Gambini’s mind and reality.

Equally atmospheric are the smaller bits of magic that Gambini performs as he gets into the politics of his show.  Gambini makes coins and balls disappear and reappear as he talks about the repetitiveness of performing magic, and brings magic back to the forefront of the narrative when he makes a staff appear with a loud snap.  He does occasionally run the gag for a little bit too long, but this feels like part of the show, as it periodically transitions the audience from awe to near-apathy with each new effect.

Gambini’s interactions with his audience are charming.  He does not use a lot of participants, due to the relative scarcity of magic in his show, but he reacts remarkably well to their mistakes and interruptions, seamlessly working them in to his performance.

By its nature, The Chore of Enchantment does occasionally feel a little bit pretentious in its exaggerated self-consciousness.  Gambini pokes fun at his past career in conventional magic as inadequate given the current state of the world, while performing what is, at its heart, a magic show in his own attempt to come to terms with those real issues.  In spite of its stated conclusions that magic is simply another distraction, the effectiveness of The Chore of Enchantment is evidence in support of magic’s usefulness as a tool for performers to address real world issues.

In The Chore of Enchantment, Gambini balances entertaining his audience with inspiring them to think, both about the real world and the nature of entertainment.  His comedy still feels timely two years after the events that he discusses, and his minimalist magic augments his words and astonishes his audience.

THE SECRET GIFT – EXTRA (DRUNK) REVIEW

☆☆☆

Disclaimer: The “real” review of MagicFest’s Christmas show can be found here. But, we had an extra reviewer in Edinburgh keen to see the show, and once upon a time a reviewer joked to our Editor-in-Chief, “hey what if we did drunk reviews for shows as second reviews” and, terrifyingly, our Editor-in-Chief took this joke seriously. Enjoy! 

I went to see the secret gift. A MagicFest production for the Christmas season. Kevin Quantum is the compare and has come on in leaps and bounds since I saw him hosting  MagicFest. Edinburgh is the stage back drop and there are lightbulbs hanging from the ceiling and the whole theatre is beautiful to start. Admittedly, as I am drunk reviewing my first thoughts are “Pretty… why am I here? Oh yes, Magic!”.

Kevin made champagne from thin air, then introduced “The Art of Illusion” a Scottish illusion team. Male and female. Steryotypical magic tricks, woman in box disappears; but I have never seen that done before and it is breathtaking. They are an attractive pair, strong and able, and perfectly suited to the stage. The magicians assistant did not shy from the spot light. The one area that could have used a different trick was between sets the male magician pulled a long cord from his mouth, from my perspective all I could think was “TAPEWORM”!” I think there needed to be a break but something different to a tapeworm could be used.The show focused around using sex to distract from what was going on. A clever trick in some respects.

The next act is the hilarious Professor Kelso. He has a Shakespearean excellence about him. His voice, his act, it is all hilarious before the magic starts. He says he is a hypnotist, no! a magician no! a mind reader! No!  Magician! It is a great beginning. He has the costume and the voice and the act. But then he moved to cheap fortune telling. That could have been different. He has so much going for him but I found the reading of the audience dull and unrewarding. Well done, after 20 questions you have the correct answer. He has a lot of talent to be on the stage but needs to move away from fortunes. You are not a grandmother Professor Kelso!

There was an act before the interval from caberet rather than magic but let me tell you! It is magical to me! My mind is blown. The Bubble Poet came on stage with his act, and though I know what is happening, it is amazing! He is a stage artiste! He can make magic happen before your eyes in coloured smoke and dish detergent. Phenomenal.

After the interval Kevin worked his magic with his introduction, then brought on stage a rather interesting Spaniard by name “David Blanco”. By this point I was somewhat intoxicated and found David to play on his race rather more than necessary. He was a slight of hand magician who also performed card tricks. Inticially I thought “typical, playing on suggestion, and playing on accents” but he is very amusing. And very good at what he does. He uses his “foreign-ness” to his advantage.

Professor Kelso is back on stage to perform the “12 days of Magic”. He is so good at the piano it is a shame to see him go to waste filling time like this. It was caberet but not especially special or interesting. The “12 days of Christmas” or whatever is done! Move on. Kelso is an excellent character who deserves lots of time in the sun performing interesting pieces for the mind, not for the child.

Kevin came back and performed a hilarious piece about mind wandering. Where is the ball? Here or here? Used sexual tension as a joke which seemed cheap but followed up with pure quality misdirection. He misdirected you here, so you didn’t notice the misdirection over there. Very well done. Huge amounts of showmanship, and I would like to learn a trick or two from you. Producing lemons! Amazing!

Finally “The Art of Illusion” came back on stage. A winner to begin but now at the end (after a few drinks) it’s clichéd and over done. The beautiful assistant being your distraction, really!? I’d like to see the same show performed with a man. It was well done, steryotypical tricks, which I think modern theatre is lacking. But what modern theatre is also lacking is equality. Wearing leather boots does not equal tiny Santa costume. You are good at being a magician. Don’t diminish it by being a sexist.

Overall a wonderful show. I saw MagicFest and this was a level beyond. Well done, well performed.