As magic show themes go, Elliot Bibby’s for Magic in a Jiffy is the most instantly relatable. Who among us has never had trouble with buying things online? Bibby covers common pitfalls, from a late delivery delaying important plans and buying something that arrives looking not quite how you expect.
While many of Bibby’s tricks use techniques that fans of magic might find familiar, each one is impressively tailored to fit his theme. Bibby reads minds using the names of large companies with a focus on those in the shipping industry—albeit with an anecdote about McDonald’s that much of the audience seems to have no idea how to respond to—and predicts a second participant’s random choice with the help of a magically speedy Amazon delivery. This is even noticeable in the little moments. Many magicians make the exact same joke about sniffing their markers, so Bibby’s take on this theme is a fun surprise and perfectly suits his onstage character.
At the show reviewed, Bibby unfortunately made an uncharacteristic number of slip-ups in performing his sleight of hand, that an observant audience member would not be able to help but notice. This was perhaps simply due to illness; Bibby’s voice was noticeably hoarse. However, aside from those issues, Bibby powered through with an admirable amount of energy.
Bibby interacts with his audience participants with care and respect. One woman in particular was slightly distressed at the halfway point of a trick involving her bank card, and Bibby quickly switched off his microphone to reassure her. While this did briefly interrupt the flow of the show, it is commendable that he valued an audience member’s emotional comfort over his own performance. This moment cut through the stage presence to reveal Bibby as a genuinely good person.
Magic in a Jiffy is charming in its skillful construction and delightful in Bibby’s adept performance. It is well worthwhile for good fun magic.
According to Elliot Bibby, his is the only Scottish-themed magic show at the 2018 Edinburgh Fringe. This isn’t something that would necessarily be obvious, but once you think about it, you realize it’s true. It seems a little wrong that this fantastic festival that absolutely explodes across Edinburgh for a full month every year would lack representation of their hosts in a category as significant as magic, but that’s exactly what’s happened. That being said, Bibby certainly does his homeland proud in this snappy and sweet show.
The Scottish theme is ever present but not invasive, making an appearance with a Saltire as the focal point of the sparse stage decor, Scottish music, and in Bibby’s stories of his grandmother in Skye. These stories provide Bibby’s foundation for his show, and work well to connect each element of his magic into a compelling experience. Winding effortlessly between different style of tricks, from working with cards to mentalism and beyond, Bibby proves that his enormous skill at sleight of hand is only matched by his charm. Bibby also succeeds in rolling with the unexpected. He keeps his cool and deals admirably with his occasional tech problems and confused volunteers.
Bibby’s greatest strength, even considering his fast-paced and impeccably performed magic, is his ability to engage his audience. He is genuinely funny in an unpackaged way, for although he certainly has mastered his practiced patter, he also has a open and cheerful affect that makes everyone happy to be there and comes across friendly and sincere. Bibby has perfected the balance of the aloof mystery that so befits a magician and heartfelt authenticity.
To say Elliot Bibby’s McMagic Moments is the best Scottish-themed magic show at the Edinburgh Fringe might be a little too cheeky. But just because it is the only one doesn’t mean it isn’t still worth a visit, not just for the novelty, but because it’s a fun and exciting show.
Elliot Bibby performs his limited edition “Magic Moments” show just a few times over the course of the Fringe, making it quite the hot commodity of Fringe magical performances. This fun and fast paced show incorporates a range of both mind reading and sleight of hand illusions, making for an overall enjoyable evening.
“Magic Moments” is a particularly flashily theatrical experience, which sets it apart from many of the more subtle Fringe magic shows. It is easy to see that he took inspiration from Las Vegas, where he confides having spent time performing. Bibby’s opening mind reading trick is an amusing start to the show. He add the nice touch of calling upon several audience volunteers to come to the stage as a group relatively early on in the show, making their role in the performance less intimidating to take part in.The success of trick in particular is dependent on the volunteers’ choices, but Bibby is adept at using what is given to him to keep his audience entertained.
Bibby continues through a varied selection of card tricks. He frequently asks audience members to sign a card of their choosing, as insurance that he is not using any multi-deck trickery to make his magic tricks easier—a fairly common practice that Bibby seems especially fond of. The variety and fast pace of Bibby’s card tricks make this an especially lively segment of the show. One segment that perhaps goes on for slightly too long involves a recorded narration of the trick that Bibby attempts. As the entire joke of this section seems to involve poking fun at Australian accents, it feels increasinglyslightly uncomfortableas it continues to linger on. However, gentle cultural mockery aside, Bibby’s humor is lighthearted enough to consistently resonate with the audience, and keeps every moment as magical as promised. Bibby ends the show with a final, excitingly performed card trick to a dramatic sound track, a fittingly flamboyant conclusion to his show.
“Magic Moments” is a worthwhile show to experience, marked by the pleasantly flashy performance style that Bibby brings to the Fringe. His magic tricks are expertly and entertainingly performed, delighting all his audiences.
Bibs ‘n’ Bobs Reloaded is a magic show exactly as it sounds, being constructed of simple objects from an ordinary Morrisons bag. As well as, of course, being a pun on magician Elliot Bibby’s surname. This show is a prime example that something created with the most humble of objects can become something fantastic.
As it is an unavoidable aspect of the Fringe, venue conditions are generally not fair play to comment on in a review. But when an act surpasses the limitations of their stage spectacularly, it is worth noting upon. Bibby transcends the obstacles his particularly difficult venue with impressive agility. It isn’t just his understanding of the necessity to elevate his tricks enough for everyone to see- although that is something a lot of Fringe magicians, including ones with ticketed shows, could learn from. But more specifically to his art, Bibby wove together his act so well that it grabs your attention away from any discomforts and distractions.
Bibby’s skill is in his presentation as well as attention to detail. Composed and dapper, Bibby charms without any of that stereotypical magician smarminess. His onstage persona is just genuine enough to foster a connection with the audience, but aloof enough to maintain a sense of mystery. He expertly handles heckling, both of the negative and of the positive but obnoxiously intrusive varieties. He has unfaltering intuition of when to humor the interjections and when to ignore them, having literally no missteps in this regard despite it being prevalent throughout his show.
In terms of actual illusions, Bibby intertwines the traditional and the imaginatively unique to create masterful magic. Using everything from cards and fire to the titular bibs and bobs in his bag, Bibby nonetheless maintains the needed cohesiveness to make his show polished and professional. Slick but funny from beginning to end, Elliot Bibby unquestionably proves his magical prowess and potential in Bibs ‘n’ Bobs Reloaded.