Venue 301

AARON CALVERT: AWAKEN

☆☆☆

A popular mind reading magician, Aaron Calvert starts his “Awaken” show by correctly deducing what several members of his audience are thinking, as all good mentalists should. However, the main part and highlight of his performance is his hypnosis. This seems like the reason why he draws such a huge crowd at midday, as massive queues flock to his sizable venue, everyone fascinated and eager to be hypnotized.

Calvert begins his hypnosis segment with a bi-tonal sound that, combined with his verbal prompting, is designed to lull the susceptible members of his audience into a state of hypnosis. The benefits of this segment are not entirely lost on those of us who are less susceptible. The tone used is quite relaxing, and Calvert’s voice is pleasant and calming.

The success of this segment is, of course, dependent on Calvert finding enough suitable audience members to hypnotize. Calvert leads them on to the stage and puts them through a series of tasks to demonstrate that they are indeed under his sway. None of these tasks are difficult or embarrassing, and this portion of the act comes off more as a pseudo-scientific experiment to demonstrate Calvert’s abilities rather than a spectacle to entertain the audience at the expense of the participants—a welcome approach.

Calvert also makes an effort to include a flashier bit of hypnosis in his show. He guides one of his hypnotized subjects to pop a balloon through the power of negative thought. Here he again exhibits his care for his audience, making sure to calm his participant from this state of heightened negativity before restoring her mind to her own control.

The finale of the show, once all of the hypnotized individuals have been released from that condition, is designed to showcase Calvert’s ability to predict the group decisions of his entire audience, regardless of each individual’s susceptibility to hypnosis. However, it feels a bit rushed—perhaps, on this day, the other sections of the show took longer than expected—and the audience is left a bit confused as to whether Calvert actually achieved his goal or just shuffled things around a bit to make it look like they were in the right place.

“Awaken” is certainly an enjoyable show for fans of hypnosis. Any imperfections in Calvert’s mentalism are quickly forgotten, for Calvert is a talented performer whose showmanship makes him fun to watch on stage. In any case, an audience coming for hypnotic feats will leave well satisfied with their experience.

 

More information on Aaron Calvert and his performance dates can be found here

A CASE OF WONDERS BY SAM FITTON

☆☆

With a promisingly exciting premise, “A Case of Wonders” opens on Sam Fitton running through the train station, only to miss his train. He then falls asleep waiting for the next train, and enters a dream world where magic is real. The performance continues in this realm to showcase Fitton’s sleight of hand and juggling tricks.

Fitton’s show includes many high points. His magic tricks are frequently well performed and fun to watch. His pantomimed vending machine is a particularly creative means to incorporate his train station theme with classic coin tricks. Once the character that he performs overcomes his initial fear of his new environment, Fitton’s rapport with the audience improves noticeably. While a few of his interactions with audience volunteers feel a bit mean spirited, with the audience encouraged to laugh at their peers for not following Fitton’s vague instructions, Fitton rewards his volunteers with refreshments as he leads them back to their seats.

Unfortunately, the promising premise itself runs into a few performance issues as well. The extended introductory sequence feels a bit too long, without much of note happening. Fitton’s pretend surprise to be transported to a magical alternate reality is rather too exaggerated as well, making him appear genuinely uncomfortable to be performing in front of a crowd. Additionally, the Case of Wonders itself feels under-used, considering its place in the title of the show.

Many of these flaws may be significantly mitigated from a more childlike perspective. Fitton’s exaggerated acting and teasing of his volunteers seems like the sort of thing that would play much better to an audience full of children. This is no small thing, entertaining children is notoriously difficult. Many magicians give up on it entirely and only aim their shows at an adult audience. Fitton’s child friendly act thus establishes this show at the heart of an important niche of family magic.

“A Case of Wonders” is a perfect show to take young children in need of a bit of morning entertainment to. From an adult perspective it is not without its flaws, but is still solidly fun and admirably creative.

 

More information on Sam Fitton and his performance dates can be found here