In a way, Soulful Magic is the most classic magic show at the Fringe this year. If you’re looking for levitating ladies and exciting escapology this is the show for you. This is not the only factor that makes it feel unique. Magical Bones retains his status as the only break dancing magician performing at the Fringe, and the stories he tells, celebrating black culture through history and across the English speaking world, contextualize his act in both cultural heritage and modern representation.
Magical Bones is a whole circus in one man, and as far as this reviewer is concerned there is no higher compliment. He originally performed as a break dancer before getting in to magic, and luckily for his audience the break dancing is given equal billing in his show to this day. While this is not a dance review site, it is worth noting that the break dancing that Magical Bones performs would not look out of place in the break dancing/dance fusion shows at this year’s Fringe… except for the fact that at the same time he’ll find your card and solve a Rubik’s cube. It’s an exceptionally visually exciting form of magical reveal.
The magic itself is well done too. A highlight is a card finding routine set to a bespoke music track, it’s worth a ticket for that alone. The only slight mis-step came from a well-meaning audience participant misunderstanding her instructions and prompting an effect to be revealed a little bit early, but Magical Bones glossed over this with brisk professionalism. He is a charming performer and has a friendly rapport with all of the participants who join him onstage.
Through the celebration of black culture, fantastic magic, and incredible dancing, it is difficult to ignore a less fortunate magical stereotype that has crept in to the show. Building a show around breaking down barriers in magic while un-ironically introducing a female assistant to be levitated and magically dressed in a ballgown can feel little bit hypocritical. Women are hugely underrepresented in magic, and using the largely mute magician’s assistant role as just another trapping of a classic magic show can come across as regressive.
Soulful Magic may feel like two steps forward, one step back in terms of diversity in magic, but it’s tough to be everything for everyone, and for its faults it’s still a fun show. It’s wonderful to see Magical Bones’s celebration of black magic so popular at this year’s Fringe, managing to sell out on one of the few warm, sunny weekend days in Edinburgh is no small feat. Blending street magic, classic stage magic, dance, and black culture makes for a show unlike anything else available.
More information on Magical Bones and his performance dates can be found here.