☆☆☆☆
The Fringe is a busy time of year. It’s been described as the Olympics for culture critics, and it’s even busier for artists advertising, developing, and performing their work for the entire month. It can be difficult to find time for personal life. Jack Kenyon has found a solution. In Table for Two, Kenyon takes one audience member per show on a practice date, to help him recover from a rough breakup and prepare to re-enter the dating world. It’s a cute premise, and at the reviewed show Kenyon manages to have a good date.
Slightly hilariously for a show with this premise, the magic is explicitly themed on Kenyon attempting to fix the aspects of his character that his ex cited as reasons for ending their relationship. Of course in real life regularly referencing your ex’s complaints about you on a date is poor behavior, but in this magic show it provides a useful framework—and, as this is just a practice date, Kenyon has the excuse that he’s getting this unproductive date behavior out of his system. An early highlight is Kenyon demonstrating his newfound romanticism with a card trick, which is sweet, meaningful, and magical, perfectly setting the scene for the rest of the show.
The perspective that this show takes towards its own premise and conclusion feels very innocent, like the fluffiest of romcoms. Unlike many magicians who are eager to point out, often in the closing moments of the show, that they were in perfect control of everything that happened at all times, Kenyon often presents his magic almost as if it were real. A matching trick is, in Table for Two, an indication that Kenyon and his mock date have perfect chemistry, not framed as a demonstration of Kenyon’s abilities. It’s a different attitude towards magic than is usually seen at the Fringe, setting Kenyon apart, and it works perfectly for the style of show that he is performing.
As indicated in the advertising for Table for Two, there is one audience participation role that is especially involved, that of the audience member selected for the date. This participant is selected at random, but in a way that is easy to opt out of for those who would prefer not to be onstage for the majority of the show. Other participation roles are fairly minimal, easily executed by the individuals chosen.
Table for Two might be more of a magical experience than a magic show for the participant Kenyon takes on his nightly date, but it’s entertaining for those enjoying it as a show from the audience seats as well. Kenyon’s livestream set up ensures that the effects that happen on the restaurant table are visible to everyone watching. Whether audience members bought their tickets because they liked the look of Kenyon’s face on his poster and wanted to try their luck at a date, or just to see an unusual magic show, they will be happy that they attended.