The British have a long history of invading America, in so many different ways. But one of the most unexpected invasions to date (although this is perhaps up for debate) is that of the British magicians. Having spent several years touring throughout the UK, the Champions of Magic have arrived on US soil in an attempt to internationally stun and amaze and triumph, as any good champion should- and as these five magicians have.
Although a team effort, the strength of the Champions is not in any form of group chemistry or magic genre alignment- the Champions almost never share the stage (with the exception of double act Young & Strange) and they perform very distinct styles of trickery. No, instead, their power is instead in representing all the relationships an audience member can have with magic.
‘Magic as wonder’ is exemplified by Edward Hilsum, a remarkable magician with terrifyingly adept fingers. In his first act totally mute, and even after that quite reserved in patter, Hilsum still manages to create the kind magic that makes his audience fall similarly silent in enchanted awe as objects appear and disappear effortlessly in front of their eyes.
For Fay Presto, the relationship inspired is perhaps more ‘magic as nostalgia’ or even ‘magic as a cultural institution.’ The tricks are classic and the humor is dry, and a beat too sharp for the audience- although we all get the joke, albeit a few seconds too late, but if you can keep up Presto leaves you as amused as impressed with her magical manipulations.
The mind reader of the Champions, naturally, is responsible for ‘magic as a challenge’, perhaps the most engaging relationship of them all. There’s always something a little bit combative between magicians and the audience- the man or woman on stage is there to trick us, after all, and everyone wants to be astute enough to catch them in the act. But nothing is more tricky than when they can even see into your mind- as Alex McAller seems to do. Bouncing from knowing the cards you have to the item you’ll pick to the names and words safely stored only in your memory, McAleer’s effusive energy makes him impossibly charming despite the frustration he inspires by being far too clever. If McAleer wasn’t on the top of his game at the Waukegan, IL show, then he has far too much game for one man.
Finally, the most important relationship, ‘magic as the joke’, is supplied by Richard Young and Sam Strange. While most the Champions are funny in their own ways, Young & Strange take the humor of the art to a whole new level. Filled with a laddish arrogance that the audience is delighted by despite themselves, this duo purposefully makes their illusions utterly ridiculous but in the best possible way, throwing grand illusions at the audience while simultaneously refusing to take themselves even a tiny bit seriously.
The Champions of Magic, despite gamely sharing this triumphant title, are more accurately four magic shows in one. Although this does create a little stylistic whiplash, we are ultimately fortunate for it, for there’s something for everyone and anyone to appreciate in this artful, magical experience.