Chris Dugdale is pure Las Vegas cheesiness, and if you don’t like that you won’t like this show. But even if you don’t, you have to admit, he’s the best at it around. Up Close is perfectly on-brand Dugdale, loud and smarmy and yet undeniably entertaining.
Dugdale is the definition of polished and slick. Not a second of the show lags, not a single thing a volunteer says throws him off, and every single joke get uproarious laughter and applause. One almost expects magicians of his brand of theatrical to go for some laughs at their volunteers’ expense, but he is absolutely professional and utterly respectful. Dugdale only ever laughs with his volunteers, and showers them with compliments to offset the unease of being onstage in front of so many people. Having been brought onstage myself, I can attest that he absolutely should be commended for this deference.
Up Close is not a show of terribly original magic; it’s not even new to him, which will be very apparent if you’ve seen him at the Fringe before. But his experience with the material means that it is flawlessly executed. And despite this repetition, none of the content ever comes across as stale, with Dugdale pouring his ample enthusiasm into every word and gesture.
Chris Dugdale’s Up Close is pretty ridiculous, but it’s the best at being ridiculous you’ll find. For an hour of fun and funny entertainment, expert showmanship, and masterly magic, Up Close is a solid pick.